If you’re not, that’s the end of the game, and you’ll have to restart that section. If you’re victorious, your health is restored thanks to the painkillers. Take for example the Last Man Standing approach to death - if you’ve got a bottle of painkillers left, and you’re about to die, the world enters slow motion for you to pick off your assailant. The game doesn’t rely on immersion-breaking quick time events or button-mashing - it’s a solid, traditional third-person shooter with a polished and minimal approach. Max Payne’s signature shoot-dodge and bullet time gameplay elements form a large part of the game. It’s believable, it’s well paced and we found the entire narrative thoroughly enjoyable and immersive. There’s plenty of set changes, costume changes, flash-backs and twists. The story is around 10 hours long, and every second of it feels like a big-budget blockbuster. There’s just the right compromise between bring back old memories from the previous titles, and pandering to gamers who haven’t played a Max Payne before. While we’re not going to spoil the story - it’s worth playing and uncovering yourself - we do like its mix of present-day and flash-back action. Abductions, assaults and intrigue means our anti-hero is arrayed against an army of gun-toting paulistanos. Intervention from an old police academy buddy sees Max in São Paulo, Brazil, running security for a wealthy family. The game is constant action, with no let-up and no down-time.Īfter the gruesome happenings of Max Payne and Max Payne 2 - if you haven’t played them, the second game’s The Fall of Max Payne byline should provide some insight - grizzled ex-cop Max has washed up after years of drinking and popping painkillers.
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Max Payne 3 feels a lot more like a modern action movie - in both setting and feel it evokes plenty of Tony Scott’s Man On Fire, with lashings of Michael Mann’s Heat and Collateral and the Pacino-Penn vehicle Carlito’s Way. Max Payne and Max Payne 2 were video games that felt like graphic novels: action progressed in fits and starts, with an overarching story built by comic book panel cut-scenes often dipping into the surreal and macabre.
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